3.Fill in the gaps with the correct particle. (up for, out, of, off with, up). John gave his sister a big bunch of flowers to make … forgetting her birthday. You don`t need to make … an excuse for being late; just tell the teacher the truth. The burglar made … our TV and DVD player. What do you make … Steve`s new idea? Your handwriting is terrible. I can`t make … what it says.

1.) As a young woman, Mercédès is kind of one-dimensional character. She's beautiful, exotic, and faithful. She has a kind heart. She's happy for Edmond when he returns and she cries for him when he's taken away. She tolerates Fernand, despite his threatening demeanor, and lets him know that she's willing to sacrifice her life if he should try to hurt Edmond. What more could you ask for in a woman? Well, maybe a little more character development. But then we meet older Mercédès, Fernand's wife. What's the deal with her? How could she have abandoned Edmond? He was only gone for like, fourteen years right? What an ungrateful…wait, what's that? FOURTEEN YEARS? OK, sure, she married a big jerk, but on the plus side she raised a pretty cool, if cocky, son. She's one of the first characters to recognize Monte Cristo as Edmond; she accepts her fate and leaves quickly after Fernand is exposed, and she's suitably chastened by the experience. So, looking at all that you'd think she might deserve a break, right? Heck, she even has to send her only son away to war. Mercédès ends up being her own harshest critic: "You did have faith," she tells Edmond, "you had strength, you trusted in God, and God sustained you. I was a coward, I denied Him, so God abandoned me; and here I am!" (112.105). This is the last we hear of Mercédès. The Count moves on, finds love with Haydée, and rides off into the sunset. Meanwhile, Mercédès left to live in the old Dantès apartment in Marseille, left to cry herself to sleep, just as she was left to cry when Edmond was taken away to prison. Unwilling to "hope" and "wait" – the two things the Count tells Valentine and Maximillian they must do – she suffers as a result. But, really, hasn't she suffered enough? Is this punishment really called for?

Abai Kunanbaev - great poet, writer, public figure and founder of modern Kazakh written literature, reformer of culture in spirit of rapprochement with Russian and European culture on the basis of enlightened liberal Islam.

Abai was born August 10, 1845 in Chingiz mountains, Semipalatinsk region (under the current administrative division) from one of the four wives kunanbai, senior Sultan karkarala district. Abai's family was aristocratic, and grandfather (Oskenbai) and grandfather (Irgizbaya) dominated in his family as rulers and biys. He was lucky in the sense of family coziness and home care, as both mother Ulzhan and grandmother zere were extremely charming and gifted natures. It is with the light hand of the mother the father the name of "Ibrahim" was replaced by the hypocoristic "Abai", that means "circumspect, thoughtful". Under this name he lived all his life and went down in history.

Begun in early childhood introduction to the oral folklore of the people and home the training was continued mullahs in the madrassas of Imam Ahmad Riza. Simultaneously, he studied at Russian school and by the end of the five-year study began to write poetry. With 13 years Kunanbay starts to accustom Abai to administrative activity of the head of family. He had to understand the intergeneric disputes, quarrels, intrigues, and gradually he was disappointed to administrative and political activities, which led to the fact that at the age of 28 years, Abay departs from it entirely took up self-education. But for 40 years he is aware of his vocation as a poet and citizen, in particular, putting under the poem "Summer" is his name (he had previously attributed his works to a friend Zhantasova Kokay). Considerable impetus to the erection high potency of Abay at this point was his Association with the exiled Russian, with E. P. Mikhaelis, N. Dolgopolov, S. Gross. Abay's treatment of Russian culture in the nineteenth century experienced a period of "storm and stress" in literature and art, was the more natural that in the Eastern tradition, the poetic word was highly appreciated. Abai was closed to the poetry of Pushkin, Lermontov, Goethe and Byron. He is in his transcriptions of the Kazakh subtly conveyed the spirit of the translated poems and adapted for attitude of the tribesmen.

For 20 years the blooms are extremely versatile genius of Abai, he gains extraordinary authority, huge and hitherto in the desert not seen the popularity. To it flock the akyns, singers, composers, crowding around him talented young people, creates socio-philosophical and literary schools.

But Abay as the dominant causes wild envy, the rabid animosity shown in the most artful forms. Last strokes of bad luck are connected with death of Abdrahman and magavi. He rejected treatment of an illness and has voluntary doomed itself to death. He is buried near his wintering in the valley zhidebai, near the Chingiz mountains, 60 year life.