Read the essay and choose the correct option to answer the questions The use of exotic animals in entertainment should be banned A. Surely using exotic animals for entertainment is a bad idea. Every year, thousands of wild animals are used in circus acts, stage shows and on film sets. In my opinion, this is a highly irresponsible practice that should be banned. B. Firstly, it is harmful to the animals involved. Circus animals, in particular, are often kept in cramped conditions. This unnatural habitat is not healthy for the welfare of the animal. C. In addition, using exotic animals for entertainment can be dangerous for the anir al handlers. For example, sharks are very unpredictable and can attack at a moment's notice. D. Alternatively, some people argue that proper safety precautions are taken when working with exotic animals. For instance, animal handlers are well-trained and there is often a safety team close at hand. This reduces the chance of rious injury E. All things considered, I strongly believe that wild animals should not be used for entertainment. To my mind,a ban would protect the welfare of many animals as well as prevent injury to those working in entertainment.
6. This time tomorrow I will be traveling across France.(Future Continuous-действие, которое будет происходить в определенный момент в будущем)
7. I am going to the gallery tomorrow evening. (Present Continuous-запланированное действие)
8. George will have finished his work by the time his parents come home. (Future Perfect-действие, которое завершится к определенному моменту в будущем)
9. The phone is ringing! I will get it. (Future Simple-спонтанное решение)
10. I promise I will help you with your homework. (Future Simple-обещание)
LOREN COLEMAN FIRST STARTED PURSUING unusual, often inexplicable animals in 1960, and has since become one of the world’s foremost experts in the field of cryptozoology. The discipline, as defined by the master himself, “is the study of hidden or unknown animals. These are usually larger zoological species that, to-date, remain unverified by science, such as Yetis, Bigfoot, Lake Monsters, and Sea Serpents, as well as hundreds of other yet-to-be-found animals (cryptids) worldwide…” It also encompasses the study of animals of recent discovery, such as the coelacanth, okapi, megamouth shark, giant panda, and mountain gorilla.”
Throughout the years, Coleman has amassed an unrivaled collection of specimens, replicas, and artifacts relating to famous and lesser-known cryptids, including the eight-and-a-half-foot tall, 300-pound “Crookston Bigfoot,” a life-size coelacanth, a replica of P. T. Barnum’s Feejee Mermaid, and much more. The exhibits also include cryptid hair samples, fecal material, photographs, and footprint casts.
Coleman’s International Cryptozoology Museum preserves and presents the collection to the public in a fun and educational manner while acknowledging that cryptozoology is a “gateway science”. Cryptozoology is capable of sparking the next generation’s interest in more popularly-accepted exploratory and research-oriented disciplines like biology and anthropology.
Besides, as Coleman asserts, it’s not really an issue of whether or not one “believes” in Yetis or the Montauk Monster; for belief “belongs in the providence of religion.” Coleman focuses on exploring the unexplainable with an open mind, gathering evidence before accepting or denying any larger theory.
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6. This time tomorrow I will be traveling across France.(Future Continuous-действие, которое будет происходить в определенный момент в будущем)
7. I am going to the gallery tomorrow evening. (Present Continuous-запланированное действие)
8. George will have finished his work by the time his parents come home. (Future Perfect-действие, которое завершится к определенному моменту в будущем)
9. The phone is ringing! I will get it. (Future Simple-спонтанное решение)
10. I promise I will help you with your homework. (Future Simple-обещание)
Объяснение:
LOREN COLEMAN FIRST STARTED PURSUING unusual, often inexplicable animals in 1960, and has since become one of the world’s foremost experts in the field of cryptozoology. The discipline, as defined by the master himself, “is the study of hidden or unknown animals. These are usually larger zoological species that, to-date, remain unverified by science, such as Yetis, Bigfoot, Lake Monsters, and Sea Serpents, as well as hundreds of other yet-to-be-found animals (cryptids) worldwide…” It also encompasses the study of animals of recent discovery, such as the coelacanth, okapi, megamouth shark, giant panda, and mountain gorilla.”
Throughout the years, Coleman has amassed an unrivaled collection of specimens, replicas, and artifacts relating to famous and lesser-known cryptids, including the eight-and-a-half-foot tall, 300-pound “Crookston Bigfoot,” a life-size coelacanth, a replica of P. T. Barnum’s Feejee Mermaid, and much more. The exhibits also include cryptid hair samples, fecal material, photographs, and footprint casts.
Coleman’s International Cryptozoology Museum preserves and presents the collection to the public in a fun and educational manner while acknowledging that cryptozoology is a “gateway science”. Cryptozoology is capable of sparking the next generation’s interest in more popularly-accepted exploratory and research-oriented disciplines like biology and anthropology.
Besides, as Coleman asserts, it’s not really an issue of whether or not one “believes” in Yetis or the Montauk Monster; for belief “belongs in the providence of religion.” Coleman focuses on exploring the unexplainable with an open mind, gathering evidence before accepting or denying any larger theory.
Объяснение:
такой сойдет или нет?