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vmailiki14
vmailiki14
31.08.2021 13:19 •  Английский язык

Write 20 verbs+preposition please​

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Ответ:
DenchikKing
DenchikKing
13.01.2023 17:58

It's difficult to speak about music in general, because it will either take a lot of time or just one sentence to explain our attitude. Music is an integral part of our life. It is varied because it reflects different human emotions. If we ask several people what kind of music they like, all of them will give different answers. Tastes differ. But the world of music is boundless and everybody can find there something that satisfies his tastes and demands. And all the people will agree that our world will be dull without music. We enjoy music because it influences our mood and imagination, reflects our inner state and character, arouses deep emotions and makes us think. It helps us to remove from tiredness and tension or find new strength, get new energy and optimism.

That's why we can say that all kinds of music are popular with public: classical and pop music, folk music and jazz, operas, musicals, orchestral performances, chamber music, rock and roll, heavy metal, rap, rock, hard rock, rave and so on. For this reason music festivals which are held annually gather large audience.

As for me, I enjoy both classical music and variety show. Some people say, it is difficult to understand classical music. But I've never been scared by the fact. I enjoy music if it appeals to me. I'm fond of P. I. Chaikovsky, Bach, Mozart. Among contemporary composers I appreciate A. Lloyd Webber and his musicals and rock operas.

If you want to know my preferences in pop music, among singers or pop groups, I won't be able to name any. For variety is variety, I like to listen to different songs, to watch different singers, to hear something new. But I prefer tuneful melodies, easy to remember, light and sometimes haunting.

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Ответ:
nastyushanaumenko
nastyushanaumenko
06.06.2023 13:33
An art film is typically a serious, independent film, aimed at a niche market rather than a mass market audience.[1] It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal",[2] "made primarily for aesthetic reasons rather than commercial profit",[3] and contains "unconventional or highly symbolic content".[4] Film critics and film studies scholars typically define an art film as possessing "formal qualities that mark them as different from mainstream Hollywood films".[5] These qualities can include (among other elements): a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story. Film scholar David Bordwell describes art cinema as "a film genre, with its own distinct conventions".[6] Art film producers usually present their films at special theaters (repertory cinemas or, in the U.S., art-house cinemas) and at film festivals. The term art film is much more widely used in North America, the United Kingdom, and Australia, compared to the mainland Europe, where the terms auteur films and national cinema (e.g. German national cinema) are used instead. Since they are aimed at small, niche-market audiences, art films rarely acquire the financial backing that would permit large production budgets associated with widely released blockbuster films. Art film directors make up for these constraints by creating a different type of film, one that typically uses lesser-known film actors (or even amateur actors), and modest sets to make films that focus much more on developing ideas, exploring new narrative techniques, and attempting new film-making conventions. Such films contrast sharply with mainstream blockbuster films, which are geared more towards linear storytelling and entertainment. Film critic Roger Ebert called Chungking Express, a critically acclaimed 1994 art film, "largely a cerebral experience" that one enjoys "because of what you know about film".[7] For promotion, art films rely on the publicity generated from film critics' reviews; discussion of the film by arts columnists, commentators, and bloggers; and word-of-mouth promotion by audience members. Since art films have small initial investment costs, they only need to appeal to a small portion of mainstream audiences to become financially viable.
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